Max bill
born in Winterthur, Switzerland 1908, he was an architect, painter,
typographer, industrial designer, engineer, sculptor, educator, and graphic
designer. In the beginning he was a student at the kunstgewerbeschule and
apprenticed as a silversmith before beginning his studies in 1927 at the
Bauhaus in Dessau under the guidance of Kandinsky, Klee and Schlemmer. Bill had
settle permanently in Zurich in 1929 and in 1937 he became involved with the
group of swiss artist and designers named the Allianz. This group advocated the
concrete theories of art and design, which Max Huber, Leo Leuppi and Richard
Lohse was also members.
In 1950, him and Otl
Aicher founded the Ulm school of design (Hochschule
fur Gestaltung-HfG Ulm) in Ulm, Germany, a design school that was mainly
inspired from the Bauhaus, that was notable for its inclusion and semiotics.
Bill was with the vision that “It is possible to develop an art largely on the
basis of mathematical thinking.” Over, the 1967-71 period, Bill taught at the
Staatliche Hochschule fur Bildende Kunste in Hamburg and he was also the chair
of environmental design.
As a graphic designer, he embraced
the tenets and philosophical views of this modernist movement. His work majorly
was based solely on cohesive principles of oraginization and composed of forms,
his designs look rather simple, but if we had to analyze it today we find modular
grids, san serif typography, asymmetric compositions, linear spatial divisions,
mathematical progressions, and dynamic figure–ground relationships.
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